的 Slab Collection is a collaboration of thoughtful design 和 sound construction in which 摆脱游戏电子室块 pairs its philosophy of 简化论 with 联合木材公司’s foundation in building high-quality, meaningful furniture. 在一起, the two companies have created a functional grouping of minimalist furniture that blends harmoniously into any space.
的 additions to the Collection continue Lewis’ initial perspective to design furniture that easily integrates into people’s lives without distraction. 的 simplicity in form 和 function allows the furniture to serve its fundamental purpose—tables 和 chairs create a space for gathering, 储物件消除杂乱, 而重音桌提供了方便的表面.
Characterized by simple geometric shapes 和 architecture-inspired profiles, the series of furniture explores the potential of lines as well as shared dimensions 和 planes. 的 relation of dimensions is achieved by protruding panels 和 ‘floating’ surfaces. 的 resulting right-angled corners create depth 和 accentuate the lines of the design.
的 grouping is visually satisfying as a collection, as well as a simple pairing.
特色: 平板边桌 (小)-细节
关于森林
Natural wood brings warmth to the Slab Collection’s sleek profiles. 的 grain pattern creates surface interest that’s entirely unique in every piece.
整个系列使用的木材是白蜡树，一种 硬木 valued for its lightweight, durable, elastic qualities. All of the furniture is available in three finishes: natural ash, whitewashed ash, blackened ash. A matte commercial-grade coating protects the surfaces without disrupting the organic beauty of the wood.
Unlike the dining chairs 和 stools which have the ability to be constructed from solid wood, the Slab tables are constructed from a mix of solid wood tabletops 和 high-quality FSC-certified ash veneer bases. 的 板式储物柜 和 书柜 are constructed from FSC-certified veneer to allow for movement while keeping the wood panels stable.
木材是手工精心挑选的, the furniture is made to order in 联合木材公司’s Vancouver, 加拿大, 车间.
采访摆脱游戏电子室块的Alyssa Lewis
We spoke with the designer, Alyssa Lewis, for insight into her latest minimalist furniture designs.
你为什么想扩大收藏范围?
I think it’s important to exp和 a collection to see how it can transform in form 和 function with different uses, to create a micro universe where a space can be completely outfitted in that one language now that the collection has tables 和 chairs.
I also like the thought process 和 creative problem solving that surrounds the evolution of a furniture collection like the Slab Collection—in considering how initial problems become solutions to create new but related details that can be seen in the table legs, 进一步扩展语言.
What did you learn from designing the chairs first 和 how did you apply that to the new designs?
I find the chairs very successful in everyday use in terms of comfort, aesthetically they fit nicely into many varied environments, they offer a lot of space saving with their minimal profile. 的 details in the tables have been adapted to the production methods needed 和 have further evolved the Slab Collection language quite nicely with formal ‘stacking’ at connections.
Has your philosophy of 简化论 evolved since the chairs were released?
我关于还原论的哲学没有改变, I will always design 和 create with this thinking in mind. What it ultimately means to me as a designer is to remove the unnecessary as far as possible such as in minimalism, in order for designed objects to seamlessly fit into space subliminally communicating a sense of ease 和 trust. So that the Slab Collection has a surrounding feeling that these pieces are of high quality 和 will have longevity in use 和 staying power.
What are some positives you experienced while collaborating with UWC?
UWC is always very receptive to my thoughts 和 ideas 和 do the best they can to meet my dem和s which at times can be challenging as I am very particular. I appreciate our continued collaborations 和 hope that the Slab Collection continues to remain successful.
你理想的家具摆放位置是什么?
Anywhere 和 everywhere, which I think is the point of the collection.